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・ Don't Let It Go to Waste
・ Don't Let It Go to Waste (song)
・ Don't Let It Go to Your Head
・ Don't Let It Go to Your Head (Chantay Savage song)
・ Don't Let It Go to Your Head (Fefe Dobson song)
・ Don't Let It Go to Your Head (Jean Carne song)
・ Don't Let Love Slip Away
・ Don't Let Me Be Lonely
・ Don't Let Me Be Lonely Tonight
・ Don't Let Me Be Misunderstood
・ Don't Let Me Be the Last to Know
・ Don't Let Me Cross Over
・ Don't Let Me Die on a Sunday
・ Don't Let Me Down
・ Don't Let Me Down (1971 song)
Don't Let Me Down (Beatles song)
・ Don't Let Me Down (Eskimo Joe song)
・ Don't Let Me Down (Leona Lewis song)
・ Don't Let Me Down (Lotta Engberg & Christer Sjögren song)
・ Don't Let Me Down (The Farm song)
・ Don't Let Me Down (Will Young song)
・ Don't Let Me Fall
・ Don't Let Me Fall Alone
・ Don't Let Me Get Me
・ Don't Let Me Go
・ Don't Let Me Wait Too Long
・ Don't Let Mother Know
・ Don't Let Our Love Start Slippin' Away
・ Don't Let the Angels Fall
・ Don't Let the Bastards Grind You Down


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Don't Let Me Down (Beatles song) : ウィキペディア英語版
Don't Let Me Down (Beatles song)

"Don't Let Me Down" is a song by the Beatles (with Billy Preston), recorded in 1969 during the ''Let It Be'' sessions. It was written by John Lennon and credited to Lennon–McCartney.
==Composition==
Written by Lennon as an anguished love song to Yoko Ono, Paul McCartney interpreted it as a "genuine plea", with Lennon saying to Ono, "I'm really stepping out of line on this one. I'm really just letting my vulnerability be seen, so you must not let me down." Lennon's vocals work their way into screams, presaging the primal scream stylings of the following year's ''John Lennon/Plastic Ono Band'' album.
The song is in the key of E and is in 4/4 time during the verse, chorus and bridge, but changes to 5/4 in the pick-up to the verse. It grew (like "Sun King") from the F♯m7- E changes from Fleetwood Mac's "Albatross" ("like she does" () "yes she does" (Am ) "yes she does" ()) with McCartney arranging instrumental and vocal parts and Harrison adding a descending two-part lead guitar accompaniment to the verse and a countermelody in the bridge.〔Walter Everett. The Beatles as Musicians. Revolver through the Anthology. Oxford University Press 1999. pp222-223.〕 Pollack states that "the counterpoint melody played in octaves during the Alternate Verse by the bass and lead guitars is one of the more novel, unusual instrumental touches you'll find anywhere in the Beatles catalogue."〔Alan W Pollack. Notes on 'Don't Let Me Down" http://www.icce.rug.nl/~soundscapes/DATABASES/AWP/dlmd.shtml (accessed 12 Nov 2013)〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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